Solo Exhibitions

Long Shadows, Baldwin Gallery, Aspen                   
Peter Coffin: Imaginary Concert, Kettle’s Yard, Cambridge UK

Light Organ, the National Exemplar, New York, NY
Windows, the National Exemplar, New York, NY
Imaginary Concerts, Marfa Arts Gallery, Marfa, TX

Horizons, Baldwin Gallery, Aspen, CO

Terry Riley with Gyan Riley performing to Untitled (Shepard-Risset Glissando with Color) by Peter Coffin”, Getty Museum, Los Angeles, CA

Lines, Baldwin Gallery, Aspen, CO
Fjord bank glyphs quiz vext Cwm., Herald St, London, UK
Silhouettes, Bill Brady Gallery, Kansas City, MO

Living, RBStudios, New York, NY
.pp, half gallery, New York, NY

Here & There, Smithsonian Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Peter Coffin, National Exemplar, New  York, NY

A,E,I,O,U, Venus Over Manhattan, New York, NY
The Prelapsarian, Carl Kostyal Gallery, London, England

Cosmology + 1, Herald St, London, UK

The Colors are Bright, Galerie Emmanuel Perrotin, Paris, France
Qualunque Light, Centre d’art Contemporain d’Ivry, le Credac, France

Untitled (Sculpture Silhouettes), City Hall Park, New York, NY, the Public Art Fund, NY
Untitled (U.F.O.), Southwest Coast of Brazil and Rio de Janeiro
Peter Coffin, Aspen Art Museum, Colorado
The Exhibition Formerly Known as Passengers: 2.8 Peter Coffin, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
Peter Coffin, The Curve, Barbican Centre, London, England

Yellow Outline, Centre d’Art Contemporain, Fribourg, Switzerland
How to Fly a Helicopter, The Suburban Gallery Chicago, Oak Park, IL
Peter Coffin and Djordje Ozbolt, Herald St, London, England
Untitled (U.F.O.), Festiwal Gwiazd, Gdansk, Poland
You are Me, Andrew Kreps Gallery, New York, NY
Peter Coffin, Michael Benevento Gallery, Los Angeles, CA

Model of the Universe (e.g. sweet harmonica solo, e.g. the idea of the sun,  e.g. Frisbee dog catch in mid air, e.g. brightly colored gem stones, e.g. the  desire for a tropical drink, e.g. dance sweat), Galerie Emmanuel Perrotin,  Miami, FL
Peter Coffin, Galerie Emmanuel Perrotin, Paris, France
Tree Pants, The Horticultural Society of New York, New York, NY
The Idea of the Sun, Peter Coffin, le Confort Moderne, Poitier, France
Around, About Expanded Field, Herald St, London, England
ÉTATS (faites-le vous-même) / Grow Your Own, (solo project), Palais de Tokyo, Paris, France

Hello Headspace, Galleria Fonti, Naples, Italy
New Work, Living Room DLyx Gallery, Malmo, Sweden
Absinthe Drinker, The Wrong Gallery, New York, NY

It Chooses You, Andrew Kreps Gallery, New York, NY

Perfect If On, Andrew Kreps Gallery, New York, NY


Museum Exhibitions

You, Lafayette Anticipations, Musée d’art Moderne de la Ville de Paris.   
Les enfants de Saturne, Musée d’art contemporain de la Haute-Vienne – Château de Rochechouart.         
Sense and Suggestion, Williams College Museum of Art Ideas Unwrapped, El Paso Museum of Art, TX

Five and Forward, Parrish Art Museum, Watermill, NY

The Lay of the Land, Smith College Museum of Art, Northampton, MA
War II, Mostyn Contemporary Art, Llandudno, Wales, UK, curated by Adam Carr, co-curated by Jane Mathews                                                     
Colourwheel, Art Gallery of New South Wales, Sydney, Australia

What Is To Come Has Already Arrived, Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain
What Is To Come Has Already Arrived, Koldo Mixtelena Kulturunea, San Sebastian, Spain

Image and Illusion, Singapore Art Museum, Singapore
Infinite Jest, Schirn Kunsthalle, Frankfurt, Germany
Grow Your Own: Micronations, Concept Nations, and Independent Sovereign States from Around the World part of What Is To Come Has Already Arrived, Centro Andaluz de Arte Contemporaneo, Seville, Spain

Dissident Futures, Yerba Buena Center for the Arts, San Francisco, CA
Here and There, Smithsonian Hirshhorn Museum and Sculpture Garden, Washington D.C. (solo)
The Universal Addressability of Dumb Things, The Bluecoat, Liverpool; Nottingham Contemporary, Nottingham; and the De la Warr Pavilion, Bexhill on Sea, curated by Mark Leckey

TRANSMISSION LA, The Geffen Contemporary at MoCA, Los Angeles, CA
Light & Landscape, Storm King Art Center, New Windsor, NY

Inaugural installation of the Linde Family Wing for Contemporary Art, Boston Museum of Fine Arts, Boston, MA
Yokohama Triennale, Yokohama Museum of Art, Yokohama, Japan, curated by Akiko Miki
Oceanomania, Le Musée Océanographique, Villa Paloma in Monaco curated by Mark Dion
The Smithson Effect, Utah Museum of Fine Arts, Salt Lake City, UT
Wild Sky, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany, curated by Michael Connor
Dystopia, the CAPC Musée d’Art Contemporain, Bordeaux, France

It’s all American, New Jersey Museum of Contemporary Art, NJ Inaugural exhibition curated by Alex Gartenfeld and Haley Mellin
Still/Moving, Israel Museum, Jerusalem, Isreal
At Home/Not At Home: Works from the Collection of Martin and Rebecca   Eisenberg, CCS Bard Hessel Museum, Annandale-on-Hudson, NY, curated by Matthew Higgs
Filling the Void, Solomon R. Guggenheim Museum, New York, NY
Qualunque Light, (solo), Centre d’art Contemporain d’Ivry – le Credac, France

New York Minute, Macro Future, Museo D’Arte Contemporanea Roma, Rome, Italy, Curated by Kathy Grayson
Time Based Art, Portland Institute of Contemporary Art, Portland, OR
Nature Nation, Museum on the Seam, Jerusalem, Israel, Curated by Raphie Etgar
Abstract America, Saatchi Gallery, London, England
Altermodern, the Tate Triennial, Tate Britain, London, England, Curated by Nicolas Bourriard

The Possibility of an Island, Museum of Contemporary Art (MOCA), North Miami, FL, curated by Ruba Katrib
Martian Museum of Terrestrial Art, Barbican Art Gallery, London, England Manifesta 7, Trentino, Italy
Uncoordinated, Contemporary Arts Center, Cincinnati, OH
Untamed Paradises, MARCO, Museo de Arte Contemporanea de Vigo, Vigo, Spain
Gravity, Colección Ernesto Esposito, ARTIUM Centro-Museo Vasco de Art Contemporáneo, Spain

Learn to Read, Tate Modern, London, England
Accords Excentriques: Musiques et Arts Plastiques, B.P.S. 22, Charleroi, Belgium
Moscow Biennial, Lenin Museum, Moscow, Russia
The Idea of the Sun, Peter Coffin, le Confort Moderne, Poitier, France
Music for Plants (solo project), Palais de Tokyo, Paris, France
ÉTATS (faites-le vous-même) / Grow Your Own, (solo project), Palais de Tokyo, Paris, France
Multimetica, Mamco – Musée d´art Moderne et Contemporain, Geneva, Switzerland
Black Noise. A Tribute to Steven Parrino, Mamco – musée d´art moderne et contemporain, Geneva, Switzerland

When Interwoven Echoes Drip into a Hybrid Body, Migros Museum für Gegenwartskunst, Zurich, Switzerland

Greater New York, P.S.1/MoMA, Long Island City, New York, NY

Beating About The Bush, South London Gallery, London, England
Natural Habitat, The Paine Art Center, Osh Kosh, WI
Collection (or, How I Spent a Year), curated by Bob Nickas, P.S.1/MoMA, Long Island City, NY

B-Hotel, curated by Klaus Biesenbach, P.S.1/MoMA, Long Island City, NY


Group Exhibitions

‘Dot, Point, Period’, curated by Joseph Kosuth, Castelli Gallery, NY     
Dynasty, PS122, curated by Amy Goldrich, Christopher K. Ho, Omar Lopez-Chahoud, and Sara Reisman.           
Sense and Suggestion, Williams College Museum of Art

Happiness, In Pursuit of Happiness, Nagoya/Boston Museum of Fine Arts, Nagoya, Japan

I hear your voice reflected in a glass and it sounds like it is inside of me, Carlier Gebauer, Berlin, Germany

Sigmund Freud and the Play on the Burden of Representation, 21er Haus, Vienna, Austria
Ambulance Blues, Basilica Hudson, Hudson, NY
Joyride, Marlborough Broome Street, New York, NY
Drive the Change, Annette Spesshardt Portatius, Zurich, Switzerland
Infinite Jest, Schirn Kunsthalle, Frankfurt, Germany
What is to Come Has Already Arrived, Centro Andaluz de Arte Contemporaneo, Seville, Spain
The Weird Show, CANADA, New York, NY

Double Hamburger Deluxe, Marlborough Gallery, New York, NY
About UFOs, David Nolan Gallery, New York, NY
Elements, Rudiments and Principles, Boston University, Boston, MA, curated by Kate M. McNamara
Dissident Futures, Yerba Buena Center for the Arts, San Francisco, CA
Light Box Commission, Project/Number, London
Station to Station, Barstow, CA, organized by Doug Aitken
Blastomere, Young Projects, Los Angeles, CA
LAT. 41° 7′ N. LONG. 72° 19′ W., Martos Gallery, East Marion, NY, curated by Bob Nickas
Sound Spill, Zabludowicz Collection, New York, NY, curated by Thom O’Nions and Richard Sides
In the Good Name of the Company, ForYourArt, Los Angeles, CA
Superusurpedsupper, Nomas Foundation, Rome, Italy, curated by Jugedamos (Jurgis Paškevičius, Géraldine Longueville, and David Bernstein)
The Man Who Would Be King, Patricia Low Contemporary, St. Moritz, Switzerland
The Universal Addressability of Dumb Things, The Bluecoat, Liverpool; Nottingham Contemporary, Nottingham; and the De la Warr Pavilion, Bexhill on Sea, curated by Mark Leckey

The Still Life of Vernacular Agents, Kraupa-Tuskany Gallery, Berlin, curated by Nadine Zeidler
New Skin for the Old Ceremony, Film screening, San Francisco Museum of Modern Art, San Francisco, CA
Model Theories, Ford Projects, New York, NY, curated by Helena Kauppila and Philip Ording
Invisible Maps, Luis Adelantado Gallery, Mexico City, Mexico
Natural Light, Storm King Art Center, Cornwall, NY, curated by Nora Lawrence

Members Show 2011, Norwich Outpost Gallery, Norwich, England, curated by Cerith Wyn Evans
It Ain’t Fair 2011: Materialism, OHWOW Gallery, Miami FL
Antidote 6, Galerie des Galeries, Paris, France
La Fabrique sonore, expérience Pommery#9,  Pommery, Reims, France
New Age End of the Word, Taxter and Spengemann, New York, NY
Public Abstraction, Kunstverein, Arnsberg, Germany
One Dozen Paintings, The Journal Gallery, Brooklyn, NY
New Skin for the Old Ceremony, Film screening at the Museum of Modern Art, New York, NY
New York Minute, Garage Center for Contemporary Culture, Moscow, Russia
The Art of Narration Changes with Time, Sprueth Magers, Berlin, Germany,  Curated by Gigiotto del Vecchio

New Skin for the Old Ceremony, Hammer Museum, Los Angeles, CA
Chapter 1: Ever After, C. Bass International Fine Arts Co. Beacon, NY
Out of the Box, Emily Harvey Foundation, New York City, NY, Curated by Liutauras Psibilskis
No Barrier Fun, Lisa Cooley, New York City, NY
Enchanted, School of Development, Berlin, Germany
Pictures and Statues, Country Club, Cincinnati, OH
Not Extractions, But Abstractions, Clifton Benevento, New York City, NY
36 Dramatic Situations, Louis. V. ESP, New York City, NY
Kozmik Latte, Borusan Music House, Istanbul, Curated by Suzanne Egeran
Herald St, Taro Nasu Gallery, Tokyo, Japan, Curated by Taro Nasu
Solace, Austrian Cultural Forum, New York, NY, Curated by Severin Duensler and Emmanuel Layr
Fax, FAX, curated by João Ribas and co-organized by ICI (Independent Curators International), Dowd Gallery, State University of New York, College at Cortland, Cortland, NY; Burnaby, Canada; Para/Site Art Space, Hong Kong ; Torrance Art Museum, Torrance, CA

Looking Back, The White Columns Annual, White Columns, New York, NY,   Curated by Primary Information
Beg Borrow and Steal, Rubell Family Collection, Miami, FL
Under Construction: Cargo Manifest, Bayerische Staatsoper, Munich, Germany
Evading Customs, Brown Gallery, London, England, Curated by Peter J. Russo and Lumi Tan
In the Between, Arada, Istanbul, Turkey, curated by Suzanne Egeran
Unicorns vs. Mermaids, I-20 Gallery, New York, NY, Curated by Jo Robertson   & Byron Coley
Whaddaya Wanna Be, a Flower?!, Alexander and Bonin, New York, NY Curated by Amy Levin, Oliver Newton, and Nolan Simon
FAX, curated by João Ribas and co-organized by ICI (Independent Curators   International), The Drawing Center, New York, NY; Contemporary Museum, Baltimore, MD; Plug in ICA, Winnipeg, Manitoba, Canada

Implant, The Horticultural Society of New York, NY
The Station, Miami, FL, curated by Shamim M. Momin and Nate Lowman
Unruly History of the Readymade. The Sixth Interpretation of the Jumex Collection, Mexico City, Mexico curated by Jessica Morgan
What is My Name? a Project on the Incommunicability of Present Communication, HISK Institute, Ghent, Belgium, curated by Lorenzo Bruni
Wall Rockets: Contemporary Artists and Ed Ruscha, Flag Art Foundation,   New York, NY, curated by Lisa Dennison
Red Wind, Blum & Poe, Los Angeles, CA
Constraction, Deitch Projects, New York, NY curated by Kathy Grayson
Art Unlimited, Art Basel Art Fair, Basel Switzerland
Legend, Domain of Chamarande, France
Black Noise, Centre National de l’Estampe et de l’Art Imprimé Maison Levanneur, Chatou, France
New York is Dead, Gavin Brown, New York, NY
A New High in Getting Low, John Connelly Presents, New York, NY

A New High in Getting Low, Art News Projects, Berlin, Germany, Curated by John Connelly
Moscow Biennial of Contemporary Art, Lenin Museum, Moscow, Russia
Peter Coffin, Adam McEwen, Michael Phelan, Galerie Edward Mitterrand, Geneva, Switzerland
The Office, Tanya Bonakdar Gallery, New York, NY
“L’Amorce ou la Partition des Possibles (Sculptural bootlegs and remixed   artworks)” curated by Davide Balula, L.I.A. Art Center, Grenoble, France
Ceci n’est pas… (This is not…), Sara Meltzer Gallery, New York, NY Psychobotany: Revolutionary Breakthroughs in Human/Plant Communication, Machine Project, Los Angeles, CA, curated by Aaron Gach
Out of Art, Kunsthaus CentrePasquArt – Centre d’Art, Biel/Bienne, Switzerland
Palisadenparenchym, Danese, New York, NY
Quotidian, Buia Gallery, New York, NY

The Impossible Landscape, University Gallery, University of Massachusetts, Amherst, MA, curated by Mark Godfrey and Jodie Vicenta Jacobson
Frieze Projects, Frieze Art Fair, London, England, exhibiting: Untitled (Treepants)
Shape Without Form, Shade Without Colour, Paralysed Force, Gesture Without   Motion, Galleria Francesca Kaufmann Gallery, Milan, Italy
Dice Thrown (Will Never Annul Chance), Bellwether Gallery, New York, NY, curated by Joao Ribas and Becky Smith
Strange Powers, Creative Time, New York, NY, curated by Laura Hoptman and   Peter Eleey

Performa Biennial 0524-Hour Incidental, the Swiss Institute, NY and WFMU radio, New York, NY
Different Wavelengths, Tina Kim Fine Art, New York, NY
Excitations, Andrew Kreps Gallery, New York, NY
Fuzzy Logic, Bridgewater Hall Gallery, Manchester, England, curated by Jackie Passmore
Threshold, Max Wigram Gallery, London, England, curated by Diana Baldon
Desired Constellations, Daniel Reich Gallery, New York, NY
The Zine UnBound – Kults, Werewolves and Sarcastic Hippies, Yerba Buena Center for the Arts, San Francisco, CA
There’s a City in My Mind, Southfirst Gallery, Brooklyn, NY
Breaking Ground, Horticultural Society of New York, NY, curated by Jodie Vicente Jacobson
The Feraliminal Lycanthropizer, Champion Fine Art, Los Angeles, CA, curated by Craig Kalpakjian
Good Titles from Bad Books, Kevin Bruk Gallery, Miami, FL, curated by Matthew Brannon
Post Notes, Midway Contemporary Art, Minneapolis, MN
Lesser New York, a Fia Backstrom production, New York, NY
Frisbee Exhibition, Official Project of the Armory VIP Group, New York, NY
On the Beach, Printed Matter, New York, NY, curated by Justin Lowe
Yes Bruce Nauman, Zwirner & Wirth, New York, NY
Kamp K48, John Connelly Presents, New York, NY
Bring the War Home, QED Gallery, Los Angeles, CA and Elizabeth Dee Gallery, New York, NY, organized by Drew Heitzler
Peter Coffin, Anne Collier, and Eileen Quinlan, United Artists Ltd., Marfa, TX
The Aleph, Sandroni Rey, Los Angeles, CA
Supernova, Domaine Pommery, Reims, France, curated by Judicael Lavrador
Draw a Straight Line and Follow It, The Center for Curatorial Studies at Bard College, Annandale-on-Hudson, NY, curated by Anna Gray
Mystic River, Southfirst Gallery, Brooklyn, NY, curated by Noah Sheldon
Insight Out, The Wanas Foundation and Sculpture Park, Wanas, Sweden
Endless Summer, West London Projects, London, England, curated Gyonata   Bonvicini
It is, “what is it”?, Andrew Kreps Gallery, New York City, NY
I Love My Scene, Mary Boone Gallery, New York, NY, curated by Jose Freire
Happiness, Gagosian Gallery, Berlin, Germany, curated by Martin Germann as part of the 4th Berlin Biennial for Contemporary Art
The Fact, Abstract, Dorsky Gallery, Long Island City, NY, curated by Claire Barliant
Slow Burn, Galerie Edward Mitterrand, Geneva, Switzerland, curated by Jonah   Freeman
Dynasty, Gallery MC, New York, NY, curated by Amy Goldrich, Christopher Ho, Omar Lopes-Chahoud and Sara Reisman
Deaf, from Audible to Visible, Galerie Frank Elbaz, Paris, France

Boundless, curated by Henry Hughes, Stenersenmuseet, Oslo, Norway and Changdong National Art Studio, Seoul, Korea
Slight of Hand, Lemon Sky Projects, Miami, FL, curated by Emily Wei and Haan Chau
We Could have Invited Everyone, Reg Vardy Gallery, University of Sunderland, England, curated by Robert Blackson
Blind Dates, Sculpture Center, Long Island City, NY
The Liverpool Biennial, “Transparent Eyeball”, Liverpool, England, curated by Duncan Hamilton
Copy-art, ICA London, England
The Yugoslav Biennial of Young Artists, Konkordija Centre for Contemporary   Culture, Vrsac, Belgrade, curated by Sinisa Mitrovic, Ana Nikitovic, Jelena Vesic
Open, Arcadia University Art Gallery, PA, curated by Richard Torcia
Appendiks Bag Thiemers Magasin, Copenhagen, Denmark
The Infinite Fill Group Show, Foxy Production, New York, NY, curated by Cori   + Jamie Archangel
Definitively Provisional, Appendiks, Bag Thiemers Magasin, Copenhagen,   Denmark
Cakewalk, Ambrosino Gallery, Miami, FL, curated by Jen Denike
New Party: Markus Amm, Gerard Byrne, Peter Coffin, Dionisis, Kavallieratos, Rodrigo Novaes, The Breeder, Athens, Greece
Works on Paper, Southfirst Gallery, Williamsburg, Brooklyn, NY
Art in The Office, Global Consulting Group, New York, NY, curated by Matt Keegan
Peter Coffin with Brett Milspaw, Jan Mancuska, Ara Peterson, Elif Uras, Andrew Kreps Gallery, New York, NY
Household Psychedelics, Fia Backstróm Productions, Brooklyn, NY
Coffin – Lanz – Meagher, 2YK Galerie at Kunstfabrik, Berlin, Germany

Kult 48 Klubhouse, Deitch Projects, Williamsburg, NY curated by Scott Hug
Teenage Rebel: The Bedroom Show, Galerie du Jour, Agnes B., Paris, France
Peter Coffin, Brewster Projects, Brewster, New York, NY
Definitively Provisional, White Chapel Project Space, London, England
Karaoke Death Machine, Daniel Reich Presents, New York, NY
Paintings, Drawings and Sculptures, Greener Pastures Contemporary Art, Toronto, Canada

Emerging Artists Fellowship Exhibition, Socrates Sculpture Park, LIC New York, NY
Free Manifesta, Manifesta 4, Frankfurt, Germany
Free Biennial, curated by Sal Randolph, http://www.freebiennial.org

Get Empty, Regina Gouger Miller Gallery, The Purnell Center for the Arts, Pittsburgh, PA Interchange: Simultaneity in Action, John Adams Foundation for Art, Amsterdam, The Netherlands

Inside/Outside with Birds, The Andy Warhol Museum, Pittsburgh, PA
Deep6, Ewart Gallery, Pittsburgh, PA

Group Exhibit, Kunst Seminar Akademie, the Haid, Metzingen, Germany
Wats:on, the Forbes Gallery, Pittsburgh, PA

Work/Space: Visual Relations Incorporate, Southern Exposure Gallery and   associated corporate sites in the Financial District, San Francisco, CA, UC Davis and UC Irvine Galleries, College of Fine Arts Association New York Gallery, University of Rochester Gallery, NY




Coffin, Peter, “Imaginary Concerts”, Anthology Editions and Printed Matter Inc., 2017.
Garchik, Leah. “The shiny new swashbuckler in the de Young Garden of Enchantment” The San Francisco Chronicle: Arts and Entertainment, 13 Mar. 2017

Campbell, A. “Oscar: A Study in Needling Auditory Perspective” Accessions, 8 Aug. 2016

Coffin, Peter, “What Is To Come Has Already Arrived”,Museo de Arte Contemporaneo de Castilla y Leon, San Sebastian, Gipuzkoako Foru Aldundia, 2015

Coffin, Peter, “pp.”, 2014

Corrigan, A. “Washington D.C.: Peter Coffin, ‘Here and There’ at the Hirshhorn Museum Through October 6th, 2013” Art Observed, 1 Sept. 2013
Thomson, Allese. “LAT. 41° 7’ N., LONG. 72° 19’ W” Artforum Critics’ Picks, 28 Aug. 2013
O’Sullivan, Michael. “ ‘Peter Coffin: Here and There’ at the Hirshhorn Museum and Sculpture Garden” Washington Post, 15 Aug. 2013
Kastner, Jeffrey, “Peter Coffin: Venus Over Manhattan.” Artforum, Jan. 2013

“Peter Coffin.”  The New Yorker 15 Oct. 2012
Rosboch, Lili and Kazakina, Katya. “Steve Cohen Eyes Grotjahn Masks, Big Necklace, Great Dane.”  Bloomberg News 3 Oct. 2012
Powers, Bill.  “Vowel Play: Peter Coffin at Venus Over Manhattan.” New York Times Magazine, 19 Sept. 2012
Donnelly, Ryann.  “AO Interview with Peter Coffin Regarding His Show ‘A,E,I,O,U’ at Venus Over Manhattan.” ArtObserved.com 20 Oct. 2012
Sullivan, Robert.  “Full Spectrum: A Light and Landscape Exhibition at Storm King Art Center.”  Vogue Daily 14 May 2012
Corbett, Rachel.  “Let There Be Light.”  Artnet.com 16 May 2012
Hodara, Susan.  “Finding in Sunlight a Sound and a Taste.”  New York Times 22 June 2012
Motyka, John.  “Art Blooms on a Mountain.” New York Times 12 July 2012
Rubin, Edward.  “New York’s Hudson Valley, Storm King Art Center, with Contemporary Sculpture Exhibit.” Artes Magazine 25 Aug. 2012
Johnson, Ken.  “Capturing the Sunshine, Releasing the Bees: ‘Light and Landscape’ at Storm King Art Center.”  New York Times 20 Sept. 2012
Roelstraete, Dieter.  “Echo Chamber: Is Today’s Art Too Self-Referential?” Frieze no. 148: p. 26

Von Schlegell, Mark. “New Dystopia.” Musée d’Art Contemporain de Bordeaux the Journal Entry 30 2011
Nico Tepreff. “Sculpture Silhouettes by Peter Coffin.” Public Art Dialogue, Special Issue: Reinterpreting the Canon March 2011
Herbert, Martin. Peter Coffin, Herald St. Frieze April 2011

Smith, Roberta. “Varieties of Abstraction.” New York Times 5 Aug. 2010
Barliant, Claire. “Not Extractions, But Abstractions.” Time Out NY 22 July 2010
Douaire, Pierre-Evariste. “Art Critique: Peter Coffin.” PARIS art Mar. 2010
“Peter Coffin, The Colors are Bright.” Evous Mar. 2010
“Contemplating the Void.” The New Yorker 8 Mar. 2010
Le Genissel, Aurelien. “ARTE.” NEO2 Mar. 2010
Loos, Ted. “Thinking Outside the Void, Reimagining Frank Llyod Wright’s Guggenheim Rotunda.” New York Times 11 Feb. 2010
Johnson, Ken. “Art Review, The Armory Show.” New York Times 4 Mar. 2010
Velasco, David. “Looking Back, White Columns Annual.” Artforum Feb. 2010

Saltz, Jerry. “Looking Back.” New York Magazine 1 Dec. 2009
Stephenson, Sarah. “Peter Coffin Goes Public.” Art In America.com 7 Oct. 2009
Vogel, Carol. “Where Flat Rules, Inside Art.” New York Times 18 Sept. 2009
Glover, Michael. “Peter Coffin.” Art Review Summer 2009: issue 33
Cotton, Michael. “Peter Coffin.” Frieze May 2009
Ward, Ossian. “Abstract America: New Painting and Sculpture.” Time Out   London 4 June 2009
Campbell-Johnston, Rachel. “Altermodern: Tate Triennial 2009 at Tate   Modern.” Times Online 3 Feb. 2009
“Focus New York Artists Dictionary: Peter Coffin.” Flash Art Jan.-Feb. 2009

Williams, Gilda. “Peter Coffin and Djordje Ozbolt.” ArtForum Oct. 2008: p. 394
Choppin, Elizabeth. “Peter Coffin.” Art World Magazine Feb.-Mar. 2008
Kazakina, Katya. “Riffs on Rock Posters, Playful Primates, Chopped Limbs: Hot Art.” Bloomberg.com 11 Apr. 2008
Berardini, Andrew. “Peter Coffin.” Art Review Magazine Apr. 2008: Issue 21
Saltz, Jerry. “Critic’s Pick: Peter Coffin ‘You Are Me’.” New York Magazine   Online 11 Apr. 2008
“Peter Coffin.” The New Yorker 21 Apr. 2008
Smith, Roberta. “Peter Coffin You Are Me.” The New York Times 25 Apr. 2008
Champenois, Michele. “Flânerie arty ý Miami.” Le Monde Mar. 2008
Orden, Abraham. “What Sticks.” Bing Magazine Dec. 2007-Mar. 2008
Blind Spot 2008: Issue 38, p. 9 -14

Rosenberg, Karen. “At Fairs by the Beach, The Sands of Creativity.” The New York Times 8 Dec. 2007: p. B7
Wolff, Rachel. “Young Masters.” New York Magazine Oct. 2007: p. 54
Cattelan, Maurizio. “Peter Coffin, A Heap of Language.” Flash Art Oct. 2007
Smith, Roberta. “Peter Coffin: Tree Pants.” The New York Times 31 Aug. 2007
O’Niell-Butler, Lauren. “Peter Coffin.” Time Out New York Aug. 2007: Issue 621
Schwendener, Martha. “Palisadenparenchym.” The New York Times 3 Aug. 2007: p. E31
Cotter, Holland. “Ceci n’est pas….” The New York Times 3 Aug. 2007: p. E31
Schmidt, Daniel. “Curators Voice:Palisadenparenchym-Daniel Schmidt Curator, Danese Gallery.” nyartsmagazine.com July 2007
“Mitterand + Sana, Adam McEwen – Peter Coffin – Michael Phelan.” Zürich sur la Terre Summer 2007: Number 5
Triming, Lee. “Peter Coffin.” Flash Art May-June 2007: Issue 354, p.136
“Music for Living Entities.” Domus May 2007
Gygax, Raphael. “Peter Coffin.” Contemporary 2007: Issue 91, p. 32-35
Eleey, Peter. “Peter Coffin: Disparate Models; abstraction and mysticism,   curiosity and skepticism.”  Frieze April 2007: Issue 106
Greenberg, Kerryn. “Peter Coffin.” Modern Painters Apr. 2007: p. 99.
Hall, Emily. “Quotidian.” Artforum.com 21 Mar. 2007
“Poetry is the Antimatter of Consumer Society.” Palais de Tokyo / Magazine 02 2007: p. 14-15
“Grow your own.” Palais de Tokyo / Magazine 02 2007: p. 73-79
Saltz, Jerry. ”Non-Specific Objects.” Modern Painters Mar. 2007: p.32-34
Bell, Eugenia. “Critics Pick.” Artforum.com 16 Feb. 2007
“Brooklyn Artist Sees London, Sees France.” Modern Painters Feb. 2007
“Music for Living Entities.” Domus May 2007
“Peter Coffin & Maurizio Cattelan in Conversation.” Wrong Times, edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick 2007
“Peter Coffin & Miranda July in Conversation.” Wrong Times, edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick 2007

Doran, Ann. “Dice Thrown.” Time Out, New York 2-28 Nov. 2006: Issue 579 “Dice Thrown (Will Never Annul Chance).” The New Yorker 6 Nov. 2006
Smith, Roberta. “Dice Thrown (Will Never Annul Chance).” New York Times 3 Nov. 2006: p. 3E
Gronlund, Melissa. “Organ Grinder.” Art Review Sept. 2006
Saltz, Jerry. “The Whole Ball of Wax.” The Village Voice 7 Sept. 2006
Schwendener, Martha. “Yes Bruce Nauman.” Time Out New York 147 7 Sept. 2006 Cohen, David. “A Chorus of ‘Yes’ in Homage to the King of ‘No, No, No’.” New York Sun 14 Aug. 2006
Smith, Roberta. “The Body, Electric and, Yes, Videotape.” The New York   Times 4 Aug. 2006
Schwartz, Nicolene. “Object Lesson: Observation Validates Peter Coffin’s   Universe.” Anthem Magazine July-Aug. 2006
Harden-Guest, Anthony. “Under the Influence.” FT Weekend 29 July 2006
“Migros Museum fur Gegenwartskunst.” La Liberte Online Jan. 2006
“Les sens au Musee.” Migros-Magazine Gesamtausgabe f.Zurich Jan. 2006
Von Basting, Barbara. “Die Motte als Perkussionistin.” Tagesanzeiger Feb. 2006
Bernard, Etienne. “Zodiaque.” Zerodeux 2006: Issue 37, p. 50
Gobbo, Stephane. “Musique et art, du flirt a l’expo.” Le Courrier Geneve Mar. 2006 Kuni, Verena. “While Interwoven Echoes Drip into Hybrid Body‚ An Exhibition about Sound, Performance and Sculpture in migros museum.” Kunstbulletin Mar. 2006
“Migros Museum.” tema celeste Mar. 2006
Debailleux, Henri-Francois. “A ecouter avec les yeux.” Liberation Saturday, Sunday 2 Apr. 2006
B.B. “Deaf.” Le Monde Saturday 1 Apr. 2006
“Deaf.” Spoon Mar.-Apr. 2006
“New York Reprtage, Peter Coffin.” Monopol May 2006

Cattelan, Maurizio, Massimiliano Gioni and Ali Subotnick.  Peter Coffin & Maurizio Cattelan in Conversation.” Wrong Times 2005
Huberman, Anthony. “Missing in Action.” Art Review Magazine Nov. 2005: p. 116-119
Ho, Christopher K. “Greater New York 2005.” Modern Painters International May 2005

Pollack, Maika. “Peter Coffin.” Flash Art Nov.-Dec. 2004
Kelly, James J. “Matter: The Material of Sculpture.” The Sculptural Idea. 4th ed. Illinois: Waveland press, 2004: pg. 67
Cotter, Holland. “Sampling Brooklyn, Where Eclectic Flames Continue to Flicker.” The New York Times 23 Jan. 2004

Wilson, Peter.  “Intersections: Art and New York Green.” Paper Sky Magazine Summer 2003
Pollack, Maika. “‘Karaoke Death Machine’ at Daniel Reich.” Flash Art May/June 2003 Keenan, David. “Black Dice.” The Wire Mar. 2003
Fujieda, Manami. “Very New York!” Issue BT Magazine Jan. 2003
Licht, Alan. “2002 Rewind, Alan Licht’s Pros.” The Wire Jan. 2003
Fox, Dan. “The Sound of Speed.” Frieze Jan./Feb. 2003
Not Another Magazine. (featured artwork). Feb. 2003
Journal of Reproducible Art. (featured “Barcode Piece”). Apr. 2003
KnitKnit. (featured artwork). 2003: Issue 2
Kult 48. (featured artwork). 2003

Lee, David. “New York Artists: Peter Coffin.” adm June 2002
Koether, Jutta. “Walk-In Collage.” Texte Zur Kunst June 2002
Fujieda, Manami. “Sound Art.” BT Magazine Spring 2002
Liese, Jennifer. “Not for Nothing.” Ten x Ten Magazine May 2002
Gioni, Massimiliano. “New York Cut Up.” Flash Art May 2002
Finch, Charlie. “From Harlem to MoMA.” Artnet.com 11 May 2002
“Critics Pick.” Time Out New York 11-18 Apr. 2002
“Peter Coffin.” Time Out New York 11-18 Apr. 2002
Newhall, Edith. “Top Five: Team Efforts.” New York Magazine 9 Apr. 2002
Rigney, Dan. “Artists Take Back The Streets.” Boog City 8 Apr. 2002
Johnson, Ken. “Peter Coffin.” The New York Times 5 Apr. 2002
Zuniga, Ricardo Miranda. “Perfect If On at Andrew Kreps.” the Spleen Apr. 2002
Levin, Kim. “Peter Coffin.” The Village Voice 16 Apr. 2002
Wong, Sherri. “Bonus Biennials.” Artnet.com 21 Mar. 2002
“Curb Your Consumption.” Adbusters, Journal of the Mental Environment Sept./Oct. 2002



Happiness, In Pursuit of Happiness, published by the Nagoya/Boston Museum of Fine Arts, Nagoya, Japan


Fare Luce, Shedding Light, Finessi, Beppe. Corraini Edizioni, April 2017
Socrates Sculpture Park, 30 Years, published by Socrates Sculpture Park, 2017.

Petry, Michael, Nature Morte: Contemporary Artists Reinvigorate the Still-Life Tradition, Thames & Hudson, 2013

Betti-Sue Hertz and Ceci Moss, “Dissident Futures”, Yerba Buena Center for the Arts, San Francisco, CA

Antidote: The Collection of Ginette Moulin & Guillaume Houze
Model Theories, curated by Helena Kauppila and Philip Ording

Our Magic Hour: How Much of the World Can We Know?, edited by The Organizing Committee of the Yokohama Trienniale

Art Of Tomorrow,  Edited by Laura Hoptman, Yilmaz Dziewior, Uta Grosenick,   Distanz Verlag, Berlin
Contemporary Art in the Israel Museum, Jerusalem, Edited by Suzanne Landau
STILLmoving, The Israel Museum, Jerusalem, Curated by Suzanne Landau
At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, CCS Bard Hessel Museum, edited by Matthew Higgs

Pete and Repeat, Works from the Zabludowicz Collection, Edited by Ellen Mara de Wachter and Elizabeth Neilson
In The Between, Egeran Art Advisory, Istanbul, Turkey, Curated by Suzanne   Egeran
Vitamin 3-D: New Perspectives in Sculpture and Installation, Phaidon Press,   London, England
Nature Nation, published by Museum on the Seam, Jerusalem, Israel, Curated by Raphie Etgar
The Shape of Things to Come, published by the Saatchi Gallery, London
Tate Triennial, published by the Tate Britain, London. Curated by Nicolas   Bourriard
Can I Come Over to Your House: The First Ten Years of The Suburban, Edited by Michelle Grabner

An Unruly History of the Readymade, Jumex Collection, Ecatapec, Mexico
Untitled (UFO), The Journal, Brooklyn, NY
Wall Rockets, The FLAG Art Foundation, New York, NY
The Possibility of an Island, published by the Museum of Contemporary Art   (MOCA), North Miami, curated by Ruba Katrib
Legende, published by Domaine Departmental de Charmande, France, Sternberg Press
Encyclopedia of Extraterrestrial life, Volume VIII, Martian Museum of Art,   Barbican Art Gallery, London.
Paradisos Indomitos / Untamed Paradise, The Marco Museum of   Contemporary Art, Vigo, Spain
From Yodeling to Quantum Physics…, Volume 1, Palais De Tokyo, Archibooks, Paris

Performa, New Visual Art Performance, edited by Roselee Goldberg
Moscow Biennial: footnotes on geopolitics, market, and amnesia, Lenin Museum, Moscow Artchronika

Socrates Sculpture Park, Edited by Alyson Baker and Ivana Mestrovic. Yale University Press, New Haven and London
Draw a Straight Line and Follow It. The Center for Curatorial Studies at Bard   College, Annandale-on-Hudson, NY. Catalogue edited by Anna Gray
Mystic River, edited by Noah Sheldon.  Catalogue for Mystic River at  SouthFirst Gallery, NY
Supernova, Experience Pommery #3, Beaux Arts Magazine Catalogue. edited by Paul-Francois Vranken and Judicael Lavrador
Insight Out, Wanas Foundation Catalogue. edited by Linda Rydberg and Marika Wachmeister
When Interwoven Echoes Drip into a Hybrid Body. Catalogue for the Exhibition at the Migros Museum für Gegenwartskunst, Zurich. Edited by   Curators Heike Munder and Raphael Gygax
Dynasty. Catalogue for an Exhibition Modeled After the Dynamic of Multigenerational Families. edited by Amy Goldrich, Christopher Ho, Omar   Lopes-Chahoud and Sara Reisman.

Greater New York Catalogue. P.S.1/MoMA

Transparent Eyeball, Liverpool Biennial, 2004. edited by Duncan Hamilton
Jugoslovenski Bijenale Mladih 2004 Vrsac. Jos Uvek Bez Naziva, Untitled As   Yet. Svebor Midzic.
Collection Diary. Catalogue to accompany “How I Spent a Year” at PS1/MoMA, LIC, New York. Curated by Bob Nickas. Published by JRP/Ringier Zurich,   Switzerland


Curated Projects

Imaginary Concerts, published by Anthology Editions and Printed Matter Inc.

Grow Your Own: Micronations, Concept Nations, and Independent Sovereign States from Around the World part of What is to Come Has Already Arrived, continued at Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain and Koldo Mixtelena Kulturunea, San Sebastian, Spain

Grow Your Own: Micronations, Concept Nations, and Independent Sovereign States from Around the World part of What is to Come Has Already Arrived, Centro Andaluz de Arte Contemporaneo, Seville, Spain

Untitled (Musee National d’art Moderne – Centre Pompidou) an exhibition of reproductions of artworks from the Musée National d’art Moderne – Centre Pompidou animated with projected video with localized sound and choreographed for an exhibition at Galerie Emmanuel Perrotin.

Untitled (Tate Britain) an exhibition of artworks from the Tate Britain permanent collection, London that were animated with projected video and localized sound choreographed for the exhibition at Tate Britain.

Untitled (Color Wheel) a light installation with live musical performances,   Deitch Projects, NY
UFO, an exhibition of UFO related art and ephemera, The Gdansk Public Theater Gallery, Gdansk, Poland

Deaf 2, From the Audible to the Visible curated by Peter Coffin, Galerie Frank   Elbaz, Paris, France
Grow Your Own, curated by Peter Coffin, Palais De Tokyo, Paris, France

I Didn’t Come to this Forest for Food, Sculpture Center, New York

We Could Have Invited Everyone, curated by Robert Blackson and Peter Coffin, Andrew Kreps Gallery, New York, NY

Ongoing Music for Plants, Various Artists, (curated music compilations Volumes 1, 2 and 3 and performances internationally.



Performance at the Watermill Center featuring Untitled (Steamroller) and musicians Elliot Bergman with People Get Ready, 2011

Time Based Art, Portland Institute of Contemporary Art, OR

Incidental Music, 24-Hour Incidental, the Swiss Institute, Performa 05 and WFMU radio

Untitled (news), Blind Dates, Arena, Sculpture Center, Queens, NY

Inside/Outside with Birds, The Andy Warhol Museum, Pittsburgh, PA